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Stavinsky’s Firebird Suite by Britt Conley

March 7, 2016 552 × 720 Crossroad’s Gallery at Goodwin House

Photo by Michael Rhode

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A visual soundscape artist: music visualist

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Visualizing Music

My interests are in visualizing the physics of music, musicality itself, composers thought processes and what orchestration looks like, the physicality of performance, sounds, essentially, all things musically related. My art is more about the integral thought processes and physical nuances that unique musical performance and authorship, brings. My visual music it meant to expand peoples ideas about art and music experience. Visualizing conceptual considerations of music has always been a preoccupation of mine. I spent my youth at the foot of my mother's piano jumping around, trying to catch all the colors that would emerge from the air, as she played her favorite pieces. I didn't realize until much later that I have synesthesia. I see color and feel touch when I hear sounds, especially musical ones. One of the many joys of having a public studio is the rare chance to meet other synesthetes who immediately ask me if I have synesthesia after seeing the art.

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Up close of Chopin, by Britt Conley

Impromtu Night by Britt Conley

Impromptu Night by Britt Conley

Johannes Brahms: Feldeinsamkeit, Op.86, No.2 by Britt Conley

Feldeinsamkeit by Britt Conley

Chopin by Britt Conley

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